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Swing-swing art is an art of folk music which Islam breath. This art is contained in Srikuwe hamlet, village Ambar Tawang, Mungkid sub district, Magelang regency. In addition, this art is also found in some areas in Magelang, among others, among others Secang, Njetak, and Blabak. [1] This art is usually performed in a celebration ceremony of citizens such as weddings, circumcisions, births, thanksgiving, and the inauguration of the mosque. Specifically to celebrate the birth ceremony, usually coupled with the song lyrics are taken from the book of Al-barjanji before continuing on a poem Ayun-Ayun original. In addition to staged independently, sometimes art Swing-swing also be used to accompany martial arts moves.
This art is used by artists and society as a medium of artistic expression as well as its main propaganda is to invite people to get to the truth, both in the worldly aspect or aspects of the afterlife. [2] This is consistent with song lyrics Swing-swing quoted from some of the contents of the Qur'an and Hadizt that later have been packed again - the process of transformation - into song lyrics speak a mixture of Arabic, which is spoken Javanese Arabic, Java language, the use of the Latin alphabet, Arabic mixed language and Java, and the mixture Indonesian.
Swing-swing art usually played by men who incidentally aged 30 years and above [3]. These actors are usually part of a family or descendants of Ayun-swinging players before. This process happens from generation to generation, so that the perpetrators only consisted of some communities in the hamlet Srikuwe. However, this art group is also open to anyone who wants to learn, there are no requirements and categories of special to play this art. [4]
Art Swing-swing is a vocal and instrumental ensemble device are played by some of the personnel, such as; Player vocal chorus of 20 people or more, one player of drums one face - the membrane, one player kempul 1, one player kempul 2 once kethuk / kepluk, one player kenthing low, one player a pair of kenthing middle and high , one player manacle, and one player gong. [5] All devices of this instrument is a membrane device - tambourine - with a variety of different sizes. Of all the instruments are representative interprets several instruments contained in the Javanese gamelan instruments, such as kempul kempul metal membrane, membrane such as metal gong gong, kenthing such as metal or pencon kethuk like bonang.
Swing-swing music offerings look nicer with a bandage vocal use ngeluk techniques, namely vocals snaking chanted as create a more varied tone and sweet. Laras Ayun art of rocking vocals and forth is slendro and pelog that as in the Javanese gamelan. Because the vocal game that uses ngeluk techniques, as well as the number of personnel who acted as vocal; between one and another person the price tone (pitch) of the vocal chant very relative or unevenly. [6]
To give an idea of ​​the art song lyric chant Swing-swing, here as an example has been transcribed lyrics entitled 'Pillars of Faith is the Same'. The scale of the tone of the song is similar to the barrel Slendro contained in the Javanese gamelan, and tones used nearing tones do, re, mi, sol and la which have its notation sol mi sa man who progressed from the West. In the notation used below refers notation sa si mi sol, where the notation is denoted by numbers; 1 = do, 2 = re, 3 = mi, 5 = sol, and 6 = la.

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